{"id":8418,"date":"2020-04-26T16:46:45","date_gmt":"2020-04-26T16:46:45","guid":{"rendered":"https:\/\/destinationnaples.org\/1860-2\/"},"modified":"2026-08-04T05:47:33","modified_gmt":"2026-08-04T05:47:33","slug":"1860-2","status":"publish","type":"page","link":"https:\/\/destinationnaples.org\/fr\/1860-2\/","title":{"rendered":"GALLERIA UMBERTO DI MARINO"},"content":{"rendered":"

Umberto Di Ma<\/span>rino<\/strong><\/span> began his career as a gallery owner in 1995 in Giugliano (Naples), focusing on the development of themes related to the coexistence and\/or the conflictual nature of artistic language with respect to the social context.
\nThe following exhibitions marked an important phase in the history of the art gallery: Napoli Borderline<\/em><\/strong> by Vettor Pisani (2001), Architetture del colore by Hidetoshi Nagasawa (2002), Pas au de l\u00e0<\/em><\/strong> di Satoshi Hirose
\n(2004) In 2005 the inauguration of a new gallery in the centre of Naples with the exhibition of the artistic duo Vedovamazzei offered the opportunity to launch new initiatives with Italian and international artists such as Eugenio Espinoza, Jota Castro, Sergio Vega, Francesco Jodice, Alberto Di Fabio, Santiago Cucullu and younger artists like Luca Francesconi, Eugenio Tibaldi, Francesca Grilli, Marco Raparelli, Pedro Neves Marques, Andr\u00e9 Rom\u00e3o, Ana Manso, who have turned their attention entirely to political, social and anthropological themes, as has been done even more extensively by the Provenances<\/strong> <\/em>collectives in 2009 with Erick Beltr\u00e1n, Simon Fujiwara, Jordi Mitj\u00e0; The<\/strong> horizon line is here<\/strong><\/em> in 2010 with Elena Bajo, Ulla von Brandenburg, Runo Lagomarsino, Pedro Neves Marques, Andr\u00e9 Rom\u00e3o.
\nIn 2015 conceived the ten more ten project, a series of exhibitions programmed throughout the year and designed to mark the tenth anniversary of the gallery in Naples and the twentieth anniversary of the first gallery founded in Giugliano.
\nThe series of events held throughout Naples involved the collaboration of several public institutions, as well as collectors who have followed the developments of the Galleria Umberto Di Marino closely over the years. The gallery\u2019s artists or artists linked to it through longstanding relationships marked by lively intellectual exchange, were invited to conceive exhibitions for the gallery in via Alabardieri, as well as in installations, screenings, talks and site-specific projects for important sites in the urban landscape and the local cultural scene. The themes that have always been at the heart of the gallery\u2019s philosophy, such as social investigation using the landscape, an anthropological approach, travel and the geopolitical transpositions of cultural phenomena, postcolonialism and the failure of modernism, were reinterpreted in a constant reworking of artistic contents and processes, culminated in the opening of a full-blown cabinet<\/strong><\/em>. Photos, archive documents, works, sketches, texts and letters provided tangible evidence of the interplay of human and professional relations that lie behind the two galleries and support a concept of the gallery as a shared workshop of ideas and an open space for experimentation.
\nIn 2019 the program of Galleria Umberto Di Marino has been temporarily interrupted in order to build the
\nproject \u201cVisto da qui\u201d<\/strong><\/em>, that was an early opportunity to reflect on the gallery\u2019s structure and on the exhibitions making, with the aim of reducing the clear overproduction of contents and focusing the attention exclusively on the works.<\/p>\n

 <\/p>\n

GALLERIA UMBERTO DI MARINO<\/p>\n

Umberto Di Marino<\/strong><\/span> a commenc\u00e9 son activit\u00e9 de galeriste en 1995 \u00e0 Giugliano in Campania, pr\u00e8s de Naples, en concentrant son travail sur les th\u00e8mes li\u00e9s \u00e0 la coexistence et\/ou \u00e0 la dimension conflictuelle du langage artistique par rapport au contexte social.
\nDes expositions telles que Napoli Borderline de Vettor Pisani, en 2001, Femmes absolues de Gian Marco Montesano, en 2003, et Pas au de l\u00e0 de Satoshi Hirose, en 2004, ont marqu\u00e9 une \u00e9tape importante dans l\u2019histoire de la galerie.
\nEn 2005, l\u2019inauguration du nouvel espace au centre de Naples, avec l\u2019exposition du duo artistique vedovamazzei, a offert l\u2019occasion de lancer de nouvelles collaborations avec des artistes italiens et internationaux tels que Jota Castro, Sergio Vega, Francesco Jodice, Alberto Di Fabio, Santiago Cucullu, Luca Francesconi, Eugenio Tibaldi, Francesca Grilli, Marco Raparelli, Pedro Neves Marques, Andr\u00e9 Rom\u00e3o et Ana Manso.
\nCes collaborations ont \u00e9largi l\u2019attention de la galerie aux th\u00e8mes politiques, sociaux et anthropologiques, comme l\u2019ont \u00e9galement fait les expositions collectives Provenances en 2009, avec Erick Beltr\u00e1n, Simon Fujiwara et Jordi Mitj\u00e0, et The horizon line is here en 2010, avec Elena Bajo, Ulla von Brandenburg, Runo Lagomarsino, Pedro Neves Marques et Andr\u00e9 Rom\u00e3o.
\nEn 2015, la galerie a pr\u00e9sent\u00e9 le projet Ten more ten, une programmation d\u2019expositions organis\u00e9e tout au long de l\u2019ann\u00e9e \u00e0 l\u2019occasion du dixi\u00e8me anniversaire du si\u00e8ge napolitain et du vingti\u00e8me anniversaire de la premi\u00e8re fondation \u00e0 Giugliano in Campania.
\nLa s\u00e9rie d\u2019\u00e9v\u00e9nements diffus\u00e9s dans toute la ville de Naples a b\u00e9n\u00e9fici\u00e9 de la collaboration de plusieurs institutions publiques, ainsi que de particuliers et de collectionneurs proches du parcours de Umberto Di Marino au fil des ann\u00e9es.
\nLes artistes de la galerie, ou li\u00e9s \u00e0 elle par des relations d\u2019\u00e9change intellectuel de longue dur\u00e9e, ont \u00e9t\u00e9 impliqu\u00e9s dans des expositions con\u00e7ues pour l\u2019espace de via Alabardieri, mais aussi dans des installations, projections, conf\u00e9rences et projets site-specific destin\u00e9s \u00e0 des lieux significatifs du paysage urbain et de la sc\u00e8ne culturelle locale.
\nLes th\u00e8mes qui ont toujours \u00e9t\u00e9 chers \u00e0 la ligne directrice de la galerie \u2014 l\u2019enqu\u00eate sociale \u00e0 travers le paysage, la d\u00e9rive anthropologique, le voyage et les transpositions g\u00e9opolitiques des ph\u00e9nom\u00e8nes culturels, le post-colonialisme et l\u2019\u00e9chec du Modernisme \u2014 ont \u00e9t\u00e9 relus dans une r\u00e9\u00e9laboration constante des contenus et des processus artistiques, jusqu\u2019\u00e0 se conclure par l\u2019ouverture au public d\u2019un v\u00e9ritable cabinet.
\nPhotographies, documents d\u2019archive, \u0153uvres, esquisses, textes et lettres ont donn\u00e9 forme \u00e0 l\u2019entrelacement de relations humaines et professionnelles qui ont travers\u00e9 les deux si\u00e8ges historiques, au service d\u2019une id\u00e9e de galerie con\u00e7ue avant tout comme laboratoire commun de pens\u00e9e et lieu ouvert \u00e0 l\u2019exp\u00e9rimentation.
\nEn 2019, la programmation de Galleria Umberto Di Marino a \u00e9t\u00e9 temporairement interrompue pour laisser place au projet Visto da qui, une premi\u00e8re occasion de r\u00e9fl\u00e9chir \u00e0 la structure m\u00eame de la galerie et \u00e0 la pratique de l\u2019exposition, avec l\u2019objectif d\u2019\u00e9liminer le surplus g\u00e9n\u00e9r\u00e9 par une surproduction de contenus de plus en plus \u00e9vidente et de ramener l\u2019attention exclusivement sur les \u0153uvres.<\/p>\n

Via Alabardieri 1 \u2013 80121 Napoli \u2013 Italy – T.+39 081 0609318<\/strong><\/p>\n

info@galleriaumbertodimarino.com<\/strong>
\nwww.galleriaumbertodimarino.com<\/strong><\/a><\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Umberto Di Marino began his career as a gallery owner in 1995 in Giugliano (Naples), focusing on the development of themes related to the coexistence and\/or the conflictual nature of artistic language with respect to the social context. The following exhibitions marked an important phase in the history of the art gallery: Napoli Borderline by<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8418","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/destinationnaples.org\/fr\/wp-json\/wp\/v2\/pages\/8418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/destinationnaples.org\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/destinationnaples.org\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/destinationnaples.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/destinationnaples.org\/fr\/wp-json\/wp\/v2\/comments?post=8418"}],"version-history":[{"count":1,"href":"https:\/\/destinationnaples.org\/fr\/wp-json\/wp\/v2\/pages\/8418\/revisions"}],"predecessor-version":[{"id":8419,"href":"https:\/\/destinationnaples.org\/fr\/wp-json\/wp\/v2\/pages\/8418\/revisions\/8419"}],"wp:attachment":[{"href":"https:\/\/destinationnaples.org\/fr\/wp-json\/wp\/v2\/media?parent=8418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}